https://journals.ulab.edu.bd/index.php/crossings/issue/feedCrossings: A Journal of English Studies2024-12-29T18:01:49+00:00Arifa Ghani Rahmancrossings@ulab.edu.bdOpen Journal Systems<p><em>Crossings</em> is an annual double-blind peer-reviewed journal of scholarly articles and book reviews. The articles involve, but are not limited to, issues related to language, literature, culture, and pedagogy. It is a discursive platform to critically examine human behavior and communication, and their larger role in society as well as in knowledge production.</p> <p><strong>Print ISSN:</strong> 2071-1107 | <strong>Online ISSN:</strong> 2958-3179</p> <p><strong>Licensing and Open Access Statement</strong></p> <p><a href="https://creativecommons.org/licenses/by/4.0/" rel="license"><img src="https://deh.ulab.edu.bd/sites/default/files/88x31.png" alt="Creative Commons License" width="88" height="31" /></a></p> <p>All articles published in <em>Crossings</em> are licensed under a <a href="https://creativecommons.org/licenses/by/4.0/" rel="license">Creative Commons Attribution 4.0 International License</a>. This allows others to distribute, remix, tweak, and build upon the work, even commercially, as long as they credit the authors for the original creation. </p> <p><em>Crossings</em> is an<strong> open access</strong> journal. This allows for immediate free access to the published articles and permits any user to read, download, copy, distribute, print, search, or link to the full texts of articles, crawl them for indexing, pass them as data to software, or use them for any other lawful purpose, as long as the articles are appropriately cited.</p> <p>The journal is published by the ULAB Press.</p>https://journals.ulab.edu.bd/index.php/crossings/article/view/499Subjugation, Dehumanization, and Resistance:2024-01-26T13:38:02+00:00Sanjad Azvisanjad.azvi@gmail.comAshik Istiakaistiak@unm.edu<p><span class="TextRun SCXW148759221 BCX0" lang="EN-US" xml:lang="EN-US" data-contrast="auto"><span class="NormalTextRun SCXW148759221 BCX0">In Antebellum America, both male and female slaves were oppressed and subjugated. However, the forms of these oppressions varied based on the gender of the slave, as did the ways in which different genders resisted their oppressors. This paper studies the differences and similarities in subjugation and resistance between male and female slaves in antebellum America, using the autobiographies of Frederick Douglass and Harriet Jacobs as primary sources. Douglass in his autobiography, </span></span><span class="TextRun SCXW148759221 BCX0" lang="EN-US" xml:lang="EN-US" data-contrast="auto"><span class="NormalTextRun SCXW148759221 BCX0">Narrative of the Life of Frederick Douglass, an American Slave</span></span><span class="TextRun SCXW148759221 BCX0" lang="EN-US" xml:lang="EN-US" data-contrast="auto"><span class="NormalTextRun SCXW148759221 BCX0">, describes how slave-owners used violence to ‘break’ male slaves' spirits and </span><span class="NormalTextRun SCXW148759221 BCX0">maintain</span><span class="NormalTextRun SCXW148759221 BCX0"> their subservience, leading him to employ physical resistance against his masters and eventually flee to the North. On the other hand, Jacobs in her autobiography, </span></span><span class="TextRun SCXW148759221 BCX0" lang="EN-US" xml:lang="EN-US" data-contrast="auto"><span class="NormalTextRun SCXW148759221 BCX0">Incidents in the Life of a Slave Girl</span></span><span class="TextRun SCXW148759221 BCX0" lang="EN-US" xml:lang="EN-US" data-contrast="auto"><span class="NormalTextRun SCXW148759221 BCX0"> illustrates how female slaves faced </span><span class="NormalTextRun SCXW148759221 BCX0">additional</span><span class="NormalTextRun SCXW148759221 BCX0"> obstacles, such as fighting for their children's safety and living under the constant threat of sexual violence. These </span><span class="NormalTextRun SCXW148759221 BCX0">gendered</span><span class="NormalTextRun SCXW148759221 BCX0"> differences reveal the complex ways in which power and oppression function in society, especially when analyzing them from an intersectional perspective. Through this analysis, the paper gains a deeper understanding of the nature of power dynamics connected to slavery.</span></span><span class="EOP SCXW148759221 BCX0" data-ccp-props="{"134233117":false,"134233118":false,"201341983":0,"335551550":6,"335551620":6,"335559685":720,"335559731":0,"335559737":720,"335559738":120,"335559739":120,"335559740":480}"> </span></p> <p> </p>2024-12-29T00:00:00+00:00Copyright (c) 2024 Sanjad Azvihttps://journals.ulab.edu.bd/index.php/crossings/article/view/518The Creature Becomes a Monster:2024-04-17T15:04:04+00:00Jainab Tabassum Banujainab.banu@ndsu.edu<p><span style="font-weight: 400;">I employ the framework of Feminist Disability Studies to critically examine how the intersecting factors of disability, gender, and the politics of recognition weave an interpretation of the narratives of Mary Shelley’s </span><em><span style="font-weight: 400;">Frankenstein</span></em><span style="font-weight: 400;">. Victor Frankenstein creates a creature in his lab and gets frightened when seeing it afterwards because the creature looks different from what is perceived as ‘normal’. He immediately recognizes the creature as a ‘monster’, ‘fiend’ and ‘devil’. After being rejected by his creator, the creature interacts with other characters and gets similar reactions from them because society conforms to a certain set of ableist norms about physical appearance. Frankenstein’s misrecognition has a damaging effect on the creature’s understanding of itself as he emulates the socially induced behavior of misrecognition and behaves monstrously. I argue that though the creature is artificially created by Frankenstein, the disabled monster is the byproduct of sociocultural stigma and oppression. Drawing from Feminist Disability Studies, I demonstrate how societal norms and expectations shape the experiences of disabled individuals, particularly in relation to gendered expectations. By doing a thorough textual analysis of the novel, I also argue that Shelley’s narrative serves as a powerful commentary on the marginalization of those perceived as different. </span></p>2024-12-29T00:00:00+00:00Copyright (c) 2024 Jainab Banuhttps://journals.ulab.edu.bd/index.php/crossings/article/view/587The Liminal Space between Imprisonment and Freedom: 2024-12-29T05:24:49+00:00Shruti Dasdrshrutidas@gmail.comMirza Ibrahim Begibrahimmirza24@gmail.comRanjit Mandalranjitm99@gmail.com<p>This paper aims to study The Shell (2008) by the Syrian writer Mustafa<br>Khalifa. It analyzes the physical as well as the psychological trauma<br>suffered by the protagonist Musa, who was imprisoned for fourteen<br>years without knowing the cause of his imprisonment. After studying<br>film in Paris, a Catholic student Musa returns to his homeland,<br>Syria, and upon landing at the airport, he is unjustly arrested. He<br>is mistaken for a radical Islamist and is imprisoned with detainees<br>who were either with or suspected of being affiliated with the Muslim<br>Brotherhood. He is locked up without trial in Tadmur under Bashar<br>al-Assad’s regime. Tadmur has been called the “absolute prison” by<br>dissident Yassin al-Haj Salih and the “kingdom of death and madness”<br>by Syrian poet Faraj Bayraqdar. Musa remains oblivious to the crime<br>he has been charged with until just before his impending release. From<br>the very beginning, his life is endangered not only by the harshness of<br>daily torture and humiliation but also by the Islamist extremists in his<br>confinement who deem him deserving of execution as an unbeliever<br>due to his Catholic faith. He faces exclusion because others perceive<br>him as impure. This isolation is enforced not just by the jailers but<br>also by his fellow prisoners, mirroring the suppression experienced by<br>several political detainees who made their way through Tadmur and<br>other prisons in Syria and were unable to share their suffering. The<br>paper argues that Musa is trapped in a liminal space, that is, he is<br>physically released but has never truly been released, and thus is a<br>victim of post-traumatic stress disorder (PTSD) suffering emotional<br>numbing.<br><br></p>2024-12-29T00:00:00+00:00Copyright (c) 2024 Shruti Das, Mirza Ibrahim Beg, Ranjit Mandalhttps://journals.ulab.edu.bd/index.php/crossings/article/view/563Exiles and Their Ethico-political Responsibility: 2024-05-01T20:09:34+00:00Mohammad Akbar Hosainhosainakbar40@gmail.com<p><span style="font-weight: 400;">Written in the form of a memoir, Shaila Abdullah’s novel </span><em><span style="font-weight: 400;">Saffron Dreams (2009)</span></em><span style="font-weight: 400;"> is the fictional representation of a young Pakistani-US Muslim young woman who lost her husband in the terrorist attack of 9/11. So presumably, contemporary realities such as rising Islamophobia in America, ethno-racial violence against Muslims, brewing tensions between mainstream Americans and Muslim immigrants are some of the main issues the book deals with. This paper focuses on the ethical-political responsibilities that exiles perform in their host country (USA). I argue that Abdullah’s novel, through fictional representation, shows that exiles have agency and they play significant ethical-political roles in their host country, especially by representing (or imagining) their community. Borrowing ‘exile’ theorization of Edward Said and Ashwini Vasanthakumar, first I will focus on the definition and function of the exile and then will examine how this human condition sketched in </span><em><span style="font-weight: 400;">Saffron Dreams </span></em><span style="font-weight: 400;">is ‘exilic’ by those definitions. I will illustrate how and to what extent the protagonist plays the ethical-political responsibility for Muslim community, and why that matters so much.</span></p>2024-12-29T00:00:00+00:00Copyright (c) 2024 Mohammad Akbar Hosainhttps://journals.ulab.edu.bd/index.php/crossings/article/view/567Kaiser Haq’s Reminiscence Poems:2024-05-16T19:57:20+00:00Kazi Shahidul Islamshahidaxis@gmail.com<p>Bangladesh’s leading Anglophone poet Kaiser Haq is disenchanted with the ontology of history in its manifestations both as a site of contestations and miseries and as a potential tool serving the successive ruling class agenda. A veritable witness to the formative phases of the country’s overall development and, more importantly, a 1971 war veteran, he has formulated a poetics that engages less with the simplistic representations of history than with personal memory and subjectivity but that still opens windows into the historical timeline parallel to his maturation as an individual and, particularly, as an Anglophone poet. In an attempt to illustrate the inherent dialectic between memory and history in Haq’s poetry, this paper analyzes his lately composed reminiscence poems with reference to his prose pieces and interviews. It shows how the septuagenarian poet, through these poems, situates himself in the country’s evolving socio-cultural and politico-economic reality since the post-Partition times. Haq’s turn to memory is discernible in the correlation between his disillusionment about the state of affairs unfolding along the post-ideological axis and his late-life moral reflections on life. A corollary of this research is that these poems offer a retroactive understanding of Haq’s poetry within Bangladesh’s literary history.</p>2024-12-29T00:00:00+00:00Copyright (c) 2024 Kazi Shahidul Islamhttps://journals.ulab.edu.bd/index.php/crossings/article/view/556#BlackLivesMatter:2024-04-30T16:57:56+00:00Nusrat Jahannusrat.eng@nstu.edu.bd<p>Through a variety of narrative discourses and forms, Afrofuturism has frequently dissected concrete and figurative traverses that intersect and engage in interaction with one another across the Black Atlantic and beyond. It has redefined, extended, and dislocated white supremacist narratives about time, culture, history, violence, and racism, taking an interesting stance on the social media hashtag #BlackLivesMatter, after the movement Black Lives Matter was born following George Zimmerman's acquittal in Trayvon Martin's shooting murder in 2012. On the same note, Afropessimism is an outlook that focuses on the infinite consequences that the black body confronts as a nonexistent slave, a space and often as a defenseless being prone to ceaseless violence. An exact antithesis of humanity, Afropessimism proclaims that the white dominant society simultaneously forgets and exploits the black and the anti-dictatorial apparatus and discourses. Being the case, even psychological procedures cannot alleviate the sufferings of those nonbeings who exist beyond the boundaries. This article undertakes an Afrofuturist and Afro-pessimistic reading of an American experimental hip-hop band clipping.’s (stylized as clipping.) song “The Deep” (2017) and Rivers Solomon’s novella <em>The Deep</em> (2019) to examine how the narratives of trauma and collective memory work to create a futuristic nexus of emancipation, liberation, and technology. Based on the mythology of Detroit electronic band Drexciya, clipping.’s song "The Deep", a multilayered and evocative sci-fi tale, deals with the underwater descendants of pregnant African women who were cast off slave ships. Based on the song, Solomon has tweaked the outline and turned it into a literary work of the same name, <em>The Deep</em>, which will be examined as a text to further inspect the power relationship. The aim of the article is two-fold. Firstly, underpinning Afrofuturism and Afropessimism lenses, it seeks to explore the texts to portray embedded collective trauma and memory to redefine, re-explain, and reimagine the archived history/ies. Secondly, the article will connect the text to study how every black lives matter.</p>2024-12-29T00:00:00+00:00Copyright (c) 2024 Nusrat Jahanhttps://journals.ulab.edu.bd/index.php/crossings/article/view/534Listening to The Reluctant Fundamentalist:2024-04-30T08:24:45+00:00Labib Mahmudlabib.mahmud848@gmail.com<p>This article centers on Mohsin Hamid's <em>The Reluctant Fundamentalist</em> (2007) and explores the challenges of reciprocal recognition and the impact of power dynamics on trust between the West and Muslim communities in post 9/11 America. Bart Moore-Gilbert's critique of existing models of recognition politics; specifically, models developed by Fukuyama and Taylor, reveals the limitations in addressing the Muslim experience and Islamic fundamentalism within western liberal-democratic societies. The failure of ocular-centric approaches – prevalent in the western tradition – to adequately represent the Muslim experience, guides me towards sound theories which provides the theoretical underpinning to this analysis. Thus, I denote this shift as a practice in decolonial listening. Drawing on Nicole Furlonge’s analytical framework of “listen in print” and the concept of “aural recognition”, I argue for a more comprehensive recognition through an aurally-engaged practice of reading and political engagement. Ultimately, I advocate for listening in order to develop trust and for a compassionate stance towards lives and encounters of Muslim minorities in post 9/11 America.</p>2024-12-29T00:00:00+00:00Copyright (c) 2024 Labib Mahmudhttps://journals.ulab.edu.bd/index.php/crossings/article/view/545The Female Body as a Site of Patriarchal Power Play:2024-04-30T12:08:04+00:00Liton Chakraborty Mithunlcmithun12@gmail.com<p>The female body has been a gendered space upon which patriarchy plays out its power dynamics. The making, re-making and unmaking of the female body has remained a subject to wishes and whims of men. In most cases, women are denied agency and freedom over their bodies. Men have exerted their power on the female body in the form of subjugation, repression, oppression, and exploitation.Hence, rape and all forms of sexual assault on women and girls in the context of a war can be considered a patriarchal tool to assert the dominance of the attacking party and demoralize the community under attack. The victims of sexual attacks undergo psychological trauma during and after the war. In this context, Tarfia Faizullah’s debut collection of poems <em>Seam</em>appears as a feminist investigation into the narrative of rape victims of the Bangladesh Liberation War. This book lends voice to the rape victims of the 1971 war whose bodies were politicized by the androcentric Pakistani army. Through a feminist lens, this qualitative paper will endeavor to explore how the female body served as a site of patriarchal domination in the Bangladesh Liberation War in the light of <em>Seam</em>.</p>2024-12-29T00:00:00+00:00Copyright (c) 2024 Liton Chakraborty Mithunhttps://journals.ulab.edu.bd/index.php/crossings/article/view/552Translating Transgressions in Olga Tokarczuk’s Drive Your Plow Over the Bones of the Dead:2024-04-30T16:45:29+00:00Joutha Monishajouthamonisha436@gmail.com<p><em>Drive Your Plow Over the Bones of the Dead </em>is a 2009 murder-mystery novel written by Nobel laureate Olga Tokarczuk and translated to english by Antonia Llyod-Jones in 2018. It follows aging eccentric Janina Duszejko as a series of murders take place in the plateau where she lives. Under the parable-esque, whodunit nature of the novel, Tokarczuk explores the theme of transgressions in the light of animal rights activism. This essay is an investigation into the contrasting ideas highlighted by the authorial voice and the persepective held by the protagonist’s in the light of affect theory and Tokarczuck’s own conception of a tender narrator. I argue that Tokarczuk highlights the ambiguity of borders and boundaries in the narration to explore the implications of Duszejko’s transgression of societal law and constrcuting herself as a tool by which animals inact their vengence.</p>2024-12-29T00:00:00+00:00Copyright (c) 2024 Joutha Monishahttps://journals.ulab.edu.bd/index.php/crossings/article/view/584Deconstructing Domestic Violence in Bollywood:2024-12-28T07:34:16+00:00Rohini Zakaria Oisheerohini.zakaria@ewubd.edu<p>Instances of domestic violence against women persist globally,<br>particularly prevalent in various forms across South Asia. It is a<br>topic that has gained attention in various forms of media, including<br>Bollywood movies. One of the recent Bollywood productions, Darlings<br>(2022), directed by Jasmeet K. Reen, addresses this issue differently<br>than its predecessors. A grim subject like domestic violence which is<br>rarely material for humor has been presented through a dark comedic<br>lens while bringing back the Muslim social genre. This paper seeks to<br>assert by referring to western and non-western feminist discourse that,<br>despite successfully subverting the popular representation of women<br>in feminist revenge narratives and emphasizing the perpetuating<br>maltreatment of women in South Asian patriarchal households, the<br>film could not liberate itself from the two oppositional representations<br>of women – “angel” and “madwoman” (in case of Darlings, it is<br>murderer), popularized by Sandra Gilbert and Susan Gubar in The<br>Madwoman in the Attic. Concurrently, while correlating Simone de<br>Beauvoir’s positioning of women in her influential text, The Second Sex<br>with Chandra Talpade Mohanty’s postcolonial alignment in “Under<br>Western Eyes: Feminist Scholarship and Colonial Discourses,” the<br>paper will also argue that, in spite of raising awareness about violence<br>against women and deconstructing the stereotypical portrayal of<br>domestic violence in Bollywood, the film inadvertently normalizes<br>intimate partner violence (IPV) and potentially undermines the<br>seriousness of this critical social issue.</p>2024-12-29T00:00:00+00:00Copyright (c) 2024 Rohini Zakariahttps://journals.ulab.edu.bd/index.php/crossings/article/view/595Note to contributors2024-12-29T10:42:38+00:00Crossingscrossings@ulab.edu.bd<p>CROSSINGS: A Journal of English Studies<br>Department of English and Humanities<br>University of Liberal Arts Bangladesh (ULAB)<br>crossings@ulab.edu.bd<br>Volume 14 | December 2023 | ISSN 2071–1107 | E-ISSN 2958-3179</p>2024-12-29T00:00:00+00:00Copyright (c) 2024 Crossingshttps://journals.ulab.edu.bd/index.php/crossings/article/view/593Front Matter2024-12-29T10:15:16+00:00Crossingscrossings@ulab.edu.bd<p>CROSSINGS: A Journal of English Studies<br>Department of English and Humanities<br>University of Liberal Arts Bangladesh (ULAB)<br>crossings@ulab.edu.bd<br>Volume 15 | December 2024 | ISSN 2071–1107 | E-ISSN 2958-3179</p>2024-12-29T00:00:00+00:00Copyright (c) 2024 Crossingshttps://journals.ulab.edu.bd/index.php/crossings/article/view/594Editorial Note2024-12-29T10:23:14+00:00Shamsad Mortuzashamsad.mortuza@ulab.edu.bd<p>CROSSINGS: A Journal of English Studies<br>Department of English and Humanities<br>University of Liberal Arts Bangladesh (ULAB)<br>crossings@ulab.edu.bd<br>Volume 15 | December 2024 | ISSN 2071–1107 | E-ISSN 2958-3179</p>2024-12-29T00:00:00+00:00Copyright (c) 2024 Shamsad Mortuzahttps://journals.ulab.edu.bd/index.php/crossings/article/view/591Writing and its Hinterland: A Talk2024-12-29T08:10:14+00:00Abdulrazak Gurnahcrossings@ulab.edu.bd<p>This lecture was presented on January 9, 2023 at the University of Liberal Arts Bangladesh (ULAB).<br>The lecture was transcribed by Arifa Ghani Rahman, Executive Editor, Crossings. The lecture may be<br>viewed at https://www.facebook.com/ULABian/videos/1896589530694224.</p>2024-12-29T00:00:00+00:00Copyright (c) 2024 Abdulrazak Gurnahhttps://journals.ulab.edu.bd/index.php/crossings/article/view/592The Rise of English and the Space for Modern Languages2024-12-29T08:25:56+00:00M. Obaidul Hamidm.hamid@uq.edu.au<p>This article examines the space for modern languages in Inner Circle<br>English countries including Australia, UK, and USA against the<br>continued rise of English as a global lingua franca. It is reasonable<br>to surmise that the global popularity of English – demanded by the<br>Outer and Expanding Circle and mainly supplied by the Inner Circle<br>countries will leave limited instrumental value for learning other<br>languages. As reported in this article, the global linguistic market is<br>dominated by English which has also attracted new market players<br>alongside the old, Anglophone market leaders. Indeed, the “English is<br>enough” ideology is dominant in the Inner Circles of English, affecting<br>the quantity and quality of the study of other languages in these<br>societies. Despite all sociolinguistic, attitudinal, and instrumental<br>factors in favor of an English-only monolingual social psyche, the<br>article concludes that the space of other languages has not fully dried<br>out. There are still many reasons from multiple perspectives that point<br>to the value of other languages in a global regime of English.</p>2024-12-29T00:00:00+00:00Copyright (c) 2024 M. Obaidul Hamidhttps://journals.ulab.edu.bd/index.php/crossings/article/view/590William Wordsworth, Second-Generation Romantic:2024-12-29T07:39:29+00:00Shouvik Narayan Horeshouviknarayan1994@gmail.com2024-12-29T00:00:00+00:00Copyright (c) 2024 Shouvik Narayan Horehttps://journals.ulab.edu.bd/index.php/crossings/article/view/589Judith Butler’s Who’s Afraid of Gender?2024-12-29T06:30:02+00:00Rifat Mahbubrifatmahbub24@gmail.com2024-12-29T00:00:00+00:00Copyright (c) 2024 Rifat Mahbubhttps://journals.ulab.edu.bd/index.php/crossings/article/view/vol15Conceptual Understanding of Translanguaging:2024-06-07T17:37:04+00:00Faisal Arafatnaadviarafat@gmail.com<p>Following a qualitative approach and a ‘critical postpositivistic’ paradigm, this study attempted to explore the conceptual familiarity of translanguaging among five English teachers (female 2, male 3) of higher secondary level (grade 11 & 12) coming from five different demographic backgrounds in Bangladesh. Research data was collected through in-depth semi-structured interviews and was processed later by following the ‘general inductive approach’ to develop some themes. Narrative analysis of the themes was presented to show the insights or the findings, revealing that none of the teachers had any conceptual clarity on translanguaging - only one among the five participants had heard about the term ‘translanguaging’ before they had been contacted for the interviews. However, during the interviews - all the participants gradually opined that, though they had been unaware about the conceptual technicalities of translanguaging, they had always been practicing and using it in their classrooms considering it mostly beneficial for the students. </p>2024-12-29T00:00:00+00:00Copyright (c) 2024 Faisal Arafathttps://journals.ulab.edu.bd/index.php/crossings/article/view/572Blended Supervision of Theses: 2024-06-07T19:48:40+00:00Md. Mahadhi Hasanmahadhi4bd@gmail.comSabrina Khanomalinapks133@gmail.comAl Mahmud Rummanmahmud.rumman@ulab.edu.bdKaniz Fatemakaniz@ewubd.edu<p>The COVID-19 pandemic has greatly affected the education sector in Bangladesh. Consequently, completing a successful thesis has become a great challenge for university students. As a result, the supervisors in Bangladesh are incorporating both online and face-to-face supervision sessions to help the supervisees conduct successful research. This study aims to determine the challenges, prospects, and effectiveness of blended supervision for students pursuing Master's degrees in English. We conducted this qualitative research using the narrative method and a purposive sampling technique. We collected the blended thesis supervision experiences of six supervisees who completed their theses during the COVID-19 pandemic and the post-pandemic situation as the primary data. The results indicated their optimism about blended supervision, as it enabled them to complete their graduation on time, save money and energy, and ensure research quality through immediate feedback. Moreover, students who hold jobs and are mothers of toddlers can benefit from blended supervision, as it alleviates their tension and passivity. However, the supervisees pointed out that internet issues, electricity issues, financial problems, controlled access to the internet, and time management issues can create challenges in conducting successful research. This research can be helpful for policymakers and educational bodies.</p>2024-12-29T00:00:00+00:00Copyright (c) 2024 Md. Mahadhi Hasanhttps://journals.ulab.edu.bd/index.php/crossings/article/view/521Cross-linguistic Phonological Transfer: 2024-04-24T18:40:12+00:00Jahurul Islamjahurul.islam741@gmail.comMd. Sayeed Anwaranwar@hum.ruet.ac.bdShahriar Mohammad Kamalshahriarkamal13@yahoo.com<p><span style="font-weight: 400;">The perception and acquisition of non-native tense and lax vowel contrasts have been the subject of extensive research (Bustos et al., 2023; Chang, 2023; Fabra & Romero, 2012; Lai, 2010). Previous studies have highlighted various factors influencing the perception of these contrasts, such as linguistic background, exposure to the target language, and individual phonetic training (Casillas, 2015; Souza et al., 2017; Chang & Weng, 2012). However, there has been limited investigation into whether speakers can transfer discrimination abilities from the vowel contrasts in their first language (L1) to novel contrasts in a second language (L2) that differ in specific phonetic features. Focusing on this inquiry, the present research examines whether native speakers of Bangla, a language with tense/lax contrasts limited to mid vowels, can extrapolate this ability to discriminate tense/lax contrasts among high vowels in English, a language with tense/lax contrasts among both mid and high vowels. Through a forced-choice identification task involving English minimal pairs, data were collected from 43 adult Bangla speakers who had learned L2 English. Contrary to expectations, results indicated that these speakers were unable to effectively distinguish between tense and lax high vowels in English, suggesting that the presence of a similar contrast in L1 does not necessarily facilitate the acquisition of comparable distinctions in L2 across different vowel groups. Implications of the results for non-native vowel acquisition and the pedagogy of English language teaching to Bangla speakers are discussed.</span></p>2024-12-29T00:00:00+00:00Copyright (c) 2024 Jahurul Islam, Md. Sayeed Anwar, Shahriar Mohammad Kamalhttps://journals.ulab.edu.bd/index.php/crossings/article/view/588Writing Instruction in Large Secondary School EFL Classes:2024-12-29T06:01:26+00:00Jimalee Sowellsowell2110@gmail.com<p>English language teachers in countries around the world teach large<br>classes of 35 or more students. While many English language teaching<br>methods since the 18th century have emphasized speaking skills, with<br>globalization has come an increased need for L2 learners in English as<br>a foreign language (EFL) contexts to develop writing skills. However,<br>to date, little research has focused on understanding how writing<br>instruction is carried out in large secondary school EFL classes. The<br>purpose of this qualitative exploratory study was to provide an overview<br>of writing instruction in large secondary school EFL classes. Data was<br>collected through semi-structured interviews with 10 participants<br>with experience as secondary school English language instructors in<br>EFL contexts across continents. Data was analyzed through thematic<br>analysis. Major findings revealed that writing instruction in large<br>EFL secondary school classes is largely dominated by national exams.<br>Additionally, participants indicated a lack of training for teaching<br>writing. However, there was some indication that participants would<br>welcome training. While study participants believed that writing is an<br>important skill, 60 percent were not confident that their secondary<br>school curriculums adequately prepares students for writing beyond<br>secondary school. Implications suggest there is a need to better<br>understand the phenomenon of writing instruction in large secondary<br>school classes through further research. Implications further suggest<br>a need for more training in writing instruction for secondary school<br>teachers working in large EFL contexts.</p>2024-12-29T00:00:00+00:00Copyright (c) 2024 Jimalee Sowell