The Paradoxical Hierarchy in Doris Lessing's The Grass , Is Singing


  • Mohammad Shahidul Islam Chowdhury Assrstant Professor, Department of English Language and Literature, Premier University. Chittagong



Doris Lessing (1919-), who received the Nobel Prize for Literature in 2OO1, depicts many aspects of postcolonial African life in a number of novels such as The Grass Is SingingThe Golden Notebook, etc. The Grass Is Singing (1950), Lessing’s first novel, draws a picture of country life in Southern Rhodesia in the 1940s mirroring the postcolonial ambivalence between the colonizers and the colonized in the former British colony. Living standard of the white settlers and their suppression of the black natives cause a dilemma of hierarchy between these settlers. The protagonist Mary, being white, cannot tolerate the native black people but cannot help being subjugated by one of the black houseboys, Moses. Mary’s death in the hands of Moses shows the sufferings of a woman who is torn between her social status and her surrounding conditions This paper attempts to illustrate how Mary becomes a victim.




How to Cite

Chowdhury, M. S. I. (2009). The Paradoxical Hierarchy in Doris Lessing’s The Grass , Is Singing. Crossings: A Journal of English Studies, 2(1), 73–79.