Vol. 9 (2018)

View Vol. 9 (2018)

Published: 01-08-2018

Articles

Fiction into Film 7

Anjali Gera Roy

7-16
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Tragic Displacements in the Pursuit of a Sign: Analyzing the Discourse Produced on “Tragedy” as a Subject of Knowledge

Emad A. Alqadumi

18-25
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Bertha’s Intuitive Quest: Recognizing the Feminine Self

Keya Chakraborty, Nellufar Yeasmin

26-32
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Wole Soyinka’s The Lion and the Jewel: An Allegory of Imperial Resistance

Md. Habibullah

33-44
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Bangladeshi Politicians, the People, and Whataboutism

Shahinul Islam

45-50
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Anzaldua’s Borderlands/La Frontera: The Deconstruction of Phallogocentric Narratives

Sonika Islam

51-56
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The Implicit Cultural Policies of US Late-night Comedy Shows

Towhidul Islam Khan

57-67
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Petro-culture as an Oppressor of Women and Nature: An Ecofeminist Reading of Nawal El Saadawi’s Love in the Kingdom of Oil

Bushra Mahzabeen

68-76
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Nigerian Female Playwrights and the Question of Patriarchy

Omolara Kikelomo Owoeye

77-87
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“Talking like Men”: Interpreting Revisionist Mythmaking in Carol Ann Duffy’s The World’s Wife

Rumana Rahman

88-94
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Noh Collaboration: Ito, Pound, Yeats, Nishikigi, and Certain Noble Plays of Japan

Abid Vali

112-121
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“She is a Jade”: A Georgian Gaming Woman Re-imagined in Georgette Heyer’s Faro’s Daughter

Rick Wei Po-Yu

122-131
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The Language Debate: Thiong’o and Achebe on English in Africa

Sheikh Zobaer

132-138
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Motivation in Digital Learning: Understanding Serendipitous EFL Learning through Cyberspace

Nusrat Zahan Chowdhury, Mohammed Mizanur Rashid

140-150
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Improving Writing Skills in English at the Tertiary Level: The Gap between the Standard Practice and Classroom Scenario

Md. Nurullah Patwary, Md. Nasim Fardose Sajib

151-165
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Development Sequence of Person Markers in Pre-school Children

Lubaba Sanjana

166-178
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Cross-linguistic Composition: Writing Skills and Self-report Strategies of University Students in Bangladesh

Mohammad Shamsuzzaman, John Everatt, Brigid McNeill

179-197
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The Vanguard of Freedom

Muhammad Nurul Islam, Md. Sohel Rana

199-202
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Teaching L2 Composition: Purpose, Process, and Practice

Christina Torres

203-207
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